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Traditional costumes of Sabah

10 Most Beautiful Traditional Costumes of Sabah

Sabah culture is so colourful. We have over 30 indigenous and 200 sub-ethnic groups, most of them have distinct traditional costume, a heritage that tells the world their identity, traditions, and stories. Sabah is beautiful because of this cultural diversity. I’ve been photographing Sabah traditional costumes for 15 years and would like to share what I think are the 10 most beautiful traditional costumes of Sabah (not in any order).

Please note there are always variants in costumes due to different occasions such as wedding, ceremony and social status, so I only can give you a general view. FYI, many ethnic groups share common elements such as linangkit (needlework), siga (headgear) and belts (e.g. Tangkong, Himpogot).

1. Kadazan Penampang

Kadazandusun is the largest indigenous group of Sabah, and Kadazan Penampang is the biggest sub-ethnic. Their traditional costume has become an iconic dress to represent Sabahans.

Kadazan Penampang couple in traditional costume

Kadazan Penampang costume has basic trimmings and embroidery and may look a bit plain. However, simplicity is beauty, like Vietnamese Ao Dai and Chinese Cheongsam. Though it has relatively less shining ornaments and accessories, it is an elegant cloth inspired by sarong kebaya.

The costume of young female consists of a long cylindrical wrap skirt and a sleeveless blouse (Sinuangga’), and decorated with gold trimmings running along the opening for head and arms, and along the seams at the side and along the middle of the back. Around the trimming on neck and front is 20 or more gold plated Betawi buttons.

Bobohizan is the high priestesses of Kadazan people. They wear large headgear with feathers and beads.

Silver-dollar chains (himpogot) and brass ring belts (tangkong) in set of 2 to 3 are worn around the waist and hip to emphasize the curve. Some himpogot and tangkong are antique passed on to women as heirloom or wedding dowry, they can cost thousands of dollars!

“Light version” of Kadazan Penampang costume could be a daily wear

The jacket and trousers of Kadazan Penampang men bear some Chinese influence. They wear headgear called siga, a very intricately woven square piece of headcloth, handwoven or embroidered, and folded to the shape of the peak of the Mount Kinabalu. Most men from Kadazandusun ethnic group wear siga.

The basic material for clothing is black commercial fabric, silk or velvet for ceremonial occasions. It is also made from cotton for daily wear.

2. Dusun Lotud

With a population of only 6,000 in Tuaran district, Dusun Lotud is very famous for weaving the embroidered panel called linangkit, which is used to decorate the skirt, sash and trousers of many Sabah tribes. Without linangkit, Sabah traditional costumes would be far less colourful.

Dusun Lotud couple in ceremonial attire. Note the siwot on her head, an ornament which is stuck into the hairbun. It consists of four bunches of red cloth and black cock feathers. The strings of silver-green beads in forehead was used to be the iridescent wings of beetles in old days.

In English, linangkit is sometimes referred to as needle weave or tapestry weave. a technique closely resembles the tatting or frivolite in Europe. Strips of linangkit are used by various native tribes to decorate and join the seams of their clothing. Different ethnic groups have different patterns and colours of linangkit.

Dusun Lotud girls in ceremonial attire with the following items: Sandai: long sash draped over one shoulder to the front and over the next shoulder falling to the back. Karo: a necklace made of mostly long barrel beads of glass, shell and carnelian.

The traditional costume of Dusun Lotud, be it the long sleeve ceremonial attire or short sleeve version, is just gorgeous. In fact, this costume is one of the favourite choice for contestants in Unduk Ngadau beauty pageant (Harvest Festival Queen) during Kaamatan (Sabah Harvest Festival).

Women in Dusun Lotud traditional costume. Gonob: knee-length black cotton tube skirt. From the waist down is a panel of linangkit needle work. Kuluwu: circular sash with gold trimming along the edges. At the seam is wide band of linangkit. Lilimbo: wide girdle of interconnected loops of split rattan worn around the hips. (Red colour for childless women, black colour for mothers)

Man is wearing headgear called sundi can be folded in different ways. When two points stick out, the weaver has two wives and so on (now you know!).

3. Rungus

Rungus of northern Sabah is considered as the most “traditional” and unique tribe among all Sabah indigenous groups. Rungus women wear a dark bandeau with delicate hand-stitched patterns, a matching knee-length tube skirt and a slipover that drapes over the arms like sleeves. The narrow upper zone of the bodice is decorated with horizontal bands filled with floating weft and/or embroidered motifs. The lower part of the bodice is embellished with vertical bands.

Rungus people dancing Mongigol Sumandai

The women’s hair is pulled back in a neat bun and decorated with a titimbok (a multi-colored floral headpiece), sisingal (a thin band of beads tied together around the forehead) and rampai (a hairpin which has two or three rows of folded pieces of colourful cloth strung together and which float down to the nape)

Rungus woman costume decorated with exotic accessories. Hip band looped with brass rings and antique beads called orot and two pinakol, beaded shoulder bands worn diagonally across the chest. Togkol: string of carnelian, glass and shell beads looped crossed over the shoulders. Sulau: necklace of old beads and a disc of white shell (giant clam) in front and back.

The dress is “musical” too, by having many tiny brass bells attached to bottom hem line of their skirt, making delightful tinkling sounds when they walk or dance.

Rungus women wearing brass ring necklace (Ganggalung) and legging (Lungkaki)

Some older Rungus women wear heavy brass ring necklace and legging. It’s a fading costume.
Ganggalung: discs of brass coil worn as necklace.
Lungkaki: tightly coiled brass ornament covering the lower legs.

The headgear of men is brightly coloured Kain tinohian (a.k.a. kain pis), a richly embroidered cloth with legendary creatures and takes four months to weave one.

4. Murut Tagol

Murut means “People of the Hill”, and majority of this third largest indigenous group of Sabah lives in interior. They were used to be fearsome headhunters in the past, and men preserve their wild warrior outfit until today (they prefer proper shirts anyway).

Girls in Murut traditional costume

Murut has over 15 ethnic groups, and Murut Tagol is the most skillful for their weave work. Murut women wear black, sleeveless blouse and a long, black skirt decorated with colourful beads motifs of daily objects such as flowers, insects, animals and ferns. Female skirt has hip belts made of chained white round seeds collected from Job’s Tears plant (Coix lacryma-jobi).

The men costume is even more interesting. They wear vest, frontal and rear flaps made of tree bark. First, barks of the tarap or tamarang (timadang) trees (Artcocarps tamaran) are peeled from the trunks, soaked in stream for days to soften them up, then it is pounded, washed and rinsed, and lastly dried under sun for the fabric. However, man costume is too “sexy” so they also wear short pants for more cover.

Beautiful female traditional costume of Murut

The headgear of Murut may be adorned with long tail feathers of Great Argus Pheasant. To see more Murut costumes, you may check out Kalimaran Festival which is held annually in Tenom.

5. Bajau Sama

While most Kadazandusun and Murut people use black as the base colour, Bajau goes bold with striking colours such as yellow, red, green and blue. This also reflects in their multi-coloured and elaborate floral motifs in their crafts, an element greatly inspired by Islam. Bajau in Kota Belud town is also known as Cowboys of the East due to their mastery in horse-riding skill.

Traditional costumes of Bajau Same

Bajau women wear an unusual headgear called sarempak, which is a two-pieced head decoration in the shape of a ship made of gilded silver or modern substitute. Small ornaments dangling down from both ends of sarempak are called garigai. Next is the brightly colored satiny blouse usually in yellow. The flared sleeves show the cuffs of an underblouse in contrasting hue.

Mock wedding of Bajau people

Shining metallic accessories complement their traditional costume really well. Bajau women covers the front from below the neck to waist with beautiful mandapun, a flat collar-ornament accentuating the neckline decorated with stylized leaves in silver, goldleaf or substitute. To add more colours, long and wide band of linangkit embroidered panels (berangkit in Bajau) are sewn into their long black wrap-skirt.

Bajau men wear the traditional headgear called kain dastar, which is also used in women skirt. See more their vibrant culture in Tamu Besar Festival which is normally held in October in Kota Belud town. They even dress up their horses!

6. Kadazan Papar

I wonder who designed the traditional costume of Kadazan Papar. It’s so cute and “flowerish”. The lovely girl costume looks neat and modern. Kadazan Papar women wear a short jacket with gold or silver buttons over a white blouse, and their knee-length black skirt is decorated with a horizontal and vertical cross-stitched panel lined with gold thread. Gold or silver trimming is used on the seams.

Kadazan Papar couple

The mini conical hat is made of fine bamboo strips and features coloured feather-down or artificial flowers at the top to show the wearer’s marital status. Feather-down for the single lady and flowers for the married woman. Another hint is the silver  belt (antique British trade dollar), unmarried ladies wear four and married wear two.

The flowers of Kadazan Papar

If no feather or flower, the woman is widowed, grandmothers or elderly ladies then.

7. Dusun Tindal

Influenced by culture of Bajau Sama in the same district, Dusun Tindal is also the most colourful Kadazandusun sub-ethnic group. Just look at the girl costume, 3-colour slashed and flared sleeves from the elbows, rainbow-like beads girdle around the hips, and also embroider on their arms and hem of the skirt. To add more colours, in formal occasion they also carry sunduk, a multi-color hood with embroidered border.

Dusun Tindal people from Kota Belud

On top of colours is extensive use of metallic elements: line and line of gold or silver trimmings and sequins are sewn into their blouse and skirt, two to four Himpogot (or Simpogot) silver-dollar chain belts on the waist, one or more of kuapu (a round embossed silver tobacco container made by the Bruneis) are worn around the neck on a silver chain.

Close up of Dusun Tindal girl dress

Dusun Tindal has brought the creativity of native fashion to the next level. You would be surprised that Dusun Tindal extracts fibre from a wild banana or pisang lanut (Musa textilis) which is processed into a coarse yarn for weaving their skirts, jackets and headwear.

8. Sea Bajau

While Bajau Sama in West Coast of Sabah has the best horse-riding skill, Sea Bajau (or Suluk) in East Coast is an expert of seafaring. Also known as the Sea Gypsies, Sea Bajau spent most of their time on the boat and sailed around the sea of South East Asia. Now they are not as nomadic and many have called Sabah their homeland.

Sea Bajau girls in Lepa-Lepa boat

Similar to Bajau Sama, Sea Bajau is also a fan of bright colours. Their dresses are almost fully covered with colourful patterns, and gold / silver trimmings, sequins and embroidery. Sea Bajau dancers wear long gold or silver fingercovers, to show their fingers dance.

Sea Bajau girl dancer

Backed by beating of drum and kulintangan (small brass gong) music, the dance of Sea Bajau is one of the most mesmerizing in Borneo. They shake and move every part of their bodies, combine with rich facial expression to dazzle you, even to a seductive level. To see more of Sea Bajau, don’t miss the Lepa-Lepa Festival in April every year in Semporna.

The traditional costume of Sea Bajau is really fancy and shout “Look at me! Look at me!”

9. Dusun Lebou

Dusun Lebou (or Lobu) is a sub-ethnic of Kadazandusun lives in Sook (in Keningau district of Sabah interior). Their big woven cloth (called Binaduan) takes a month to weave and consists of different Rungus motifs and even some Dayak motifs from the southern part of Borneo. The complete costume is 2 pieces of woven Binaduan sewn together to create the front and back covers. Binaduan is used in skirt too.

Dusun Lebou girls from Sook

The size, design and complexity of Binaduan is simply astonishing. Men’s costume has a finer motif called Inambau. Unfortunately, the last person who knows how to weave Inambau has passed away. The traditional costume of Dusun Lebou is complex and special, but this art can go extinct.

Binaduan cloth of Dusun Lebou

In old days, married woman with child was not allowed to be a Binaduan weaver. The story was:- a mother was too engrossed with weaving Binaduan from morning until night that she accidentally starved her baby. Devastated, she forbade any married woman to weave Binaduan. The ban was lifted later so more people can pass on this heritage.

Back view of Binaduan is as beautiful as butterfly wings

10. Lundayeh

Most Sabah Lundayeh lives in Sipitang, Tenom and Long Pasia. Different to other groups who mostly use black as main colour, white blouse and black skirt are the signature wear of Lundayeh ladies. Lundayeh men wear jackets made of tree barks called kuyu talun.

Smile of Lundayeh girls, so sweet. Marry one?

Traditional costume of Lundayeh people is simple, but sharp and catchy

Bead cap made entirely of beads (it can be glass, carnelian and other materials) is worn by every Lundayeh woman. In the past, only upper class ladies could wear bead cap. Other key accessories are multi-strand necklaces, silver waist belts, and colourful bead girdle wrap around the hip. Overall it’s a very clean and stylish traditional costume.

Cute Lundayeh flower girls in Sipitang

That’s all! Have you seen other beautiful costumes that desire to be featured here? What’s your top 10 list? Please share it in comment section below.

Now you can see that Sabahans are totally different breed of Malaysians. Put all 200 traditional costumes together and we can make a Sabah version of Wakanda movie.

Sabah has enough beautiful costumes to film Wakanda. Sakanda anyone?

To learn more about traditional costumes of Sabah, you may visit Chanteek Borneo Indigenous Museum in Tamparuli, which showcases wide array of costume dolls, and it is awarded the title “The First Miniature Indigenous Museum” in the country by Malaysia Book of Records. Want to rent a traditional costume? You can browse Sabah Cultural Board website.

Reference Books

  • “An Introduction to the Traditional Costumes of Sabah” – January 1, 1997, by Rita Lasimbang and Stella Moo-Tan
  • “The Beliefs and Practices of the Kadazandusun-Murut Natives of Sabah” – 2017, by John Seet

Gong of Sabah and Gong Making in Kg. Sumangkap

Gong is the most important idiophone in traditional music of Sabah indigenous people and found throughout Sabah state. Gong is usually made of brass or bronze, it produces muffled sounds of a deep tone, when its thick and broad rim was hit by a stick. As the backbone of most music ensembles, gong is played in almost every social event in Sabah.


Pic: Kadazan Papar girls playing gong in Harvest Festival

When Sabahans want to dance, they beat the gong. When they want to celebrate wedding, they beat the gong. When someone dies, they also beat the gong. Gong is also played in other occasions such as animistic religion ceremonies, festivals and welcoming guests.


Gong is more than a musical instrument in old days without phones. Besides showing happiness and sadness, gong was also a communication tool to send signals to other villagers up to 5 miles away. The listeners can tell from the rhythm that if it’s a good or bad news. Slow rhythm means an invitation for having a drink. Fast rhythm indicates danger. When someone is dying the beats start slowly at first increase in speed and then on death resume a slow beat.


Pic: Rungus boys beating gong in longhouse

In the past, gong is highly valued and owning gong is a sign of wealth. Villagers would exchange livestock for a gong and gong is one of the common items in dowry. Gong is valued by its age and tone. People that time can recognise the unique sound from individual gong and even tell if a gong has flaw. Therefore, stealing of gong is rare, because owner (and other villagers) will locate his gong once the thief beats it.


Pic: Dusun Tindal people from Kota Belud playing gong


Pic: Murut playing gong to welcome guests

Gong is widely used by Kadazandusun, Murut and Bajau people in their traditional music. Each ethnic group has its own distinct musical forms such as the number of gong used, styles, tempos and tunings, and in combinations of other instruments such as drums to accentuate the main rhythms. A set of 5 to 12 gong is being played in most cases, sometimes it can go up to 36 gong.


Pic: Sulu Sandakan dancing on the gong


Pic: Use of gong in Betitik music of Bajau


Pic: Beating gong 1 or 7 times is a common way to launch an event by VVIP


Pic: gong as a symbol of Kadazandusun culture on building of KDCA Penampang

“If you can’t sing, you can beat a gong.” – John H. Alman


Pic: structure of gong ensemble of Murut Timugon community (Source: Jacquline Pugh-Kitingan)

There are many types of gongs, but in general gong can be divided into three main groups, namely, tawak, chanang, togung. Some gongs have interesting motif on it. Individual gong also has a name which denotes its sound or rhythm it plays. These musical names vary in different tribes.


Pic: Chanang Kimanis gong, note it has two bosses

You may play the following video to listen to the sound of gong:

Kampung Sumangkap, the Gong Making Village

In Matunggong of Kudat district, you can see gong making process at gong factory of Kampung Sumangkap (Sumangkap Village). When I entered the village, I saw no “factory” but a typical Sabah village of over 60 wooden houses, with 30 or more gong workshop scattered near to them.


Pic: entrance of Kg. Sumangkap Gong Factory

By the way, visitor is required to pay a small fee at the ticket booth near the entrance. The gong factory is open daily from 8:30am to 5:30pm (including public holiday). The following is the rate of Admission Fee (as of Jul 2014):
Adult (12 years and above): RM5.00 (≈US$1.60)
Children (6 to 12 years old): RM3.00 (≈US$1)
Children (below 6 years old): Free


Pic: trying to lift the Biggest Gong in Malaysia (or in the world?)

The highlight of this village is the Biggest Gong in Malaysia. This giant gong is 22 feet tall and weigh 980 Kilograms. Funded by Malaysia Handicraft, it took 5 weeks for 4 local gong craftsmen to make this gong from 20 pieces of 4’x8′ zincs.


There are many other big gong displayed in the field for tourists to take photos with.


Sumangkap Gong Village was inspired and initiated by a well-known local Gong craftman named Mr. Majabab @ Majabab B. Omlunru in 1968.


Pic: Gong workshop next to village house

Visitors can walk freely in the village and visit individual gong workshop to see craftsman making gong. Probably I visited on weekend, so the village was quiet and only two families busy making gong.


Before the visit, I thought I would see sweating gong-smith pounding iron next to a flaming stove, in a smokey and noisy environment. Instead, the gong makers use gas welder to melt and join pieces of galvanized iron sheets together, and occasionally using hammer to touch-up the outline of gong.


Most villagers are Rungus, the indigenous people of Sabah. Rungus is skillful in all sorts of craftwork and their women are the best weaver and handicraft maker in Sabah. They are very friendly and totally don’t mind I busybody around while they work.


Pic: a woman making the boss and base of the gong


Each gong workshop is a shop by itself. Besides watching gong making and buying gong, variety of smaller souvenirs in gong shape are available for sale on the spot. The smallest item is gong key-chain that costs only a few bucks. You also can bargain with the seller.


A complete set of gong can cost thousands of dollars. As gong is in good demand, Sabah also imports gong from the Philippines, Indonesia or Brunei. Now this village supplies 80% of gong throughout Malaysia.


You also can order custom-made gong, in the size, motif / design and wording that you specify. How cool it is to use gong as an ornamental signage for your shop / house.


Sumangkap Gong Village is very accessible but very far, it’s about 140 KM north of Kota Kinabalu city (See location map). Just follow the highway to Kudat town, after 2.5 hours of driving you will see a brown signage reads “Gong Making Factory Kg. Sumangkap” and a big gong at your left in Matunggong area (see photo above). Turn to that junction and you will reach Sumangkap in minutes.

Matunggong Gong Festival

To have more fun with gong, you may visit the annual Gong Festival of Kg. Sumangkap.


Pic: Rungus people beating gong in Matunggong Gong Festival


As an opening, hundred of gong will be beaten by villagers and tourists, making it the noisiest festival of Sabah.


The gong beating is “fire at will” style. Just beat the gong non-stop until you make all the birds within 10 KM radius flee.


Pic: tourists have fun beating gong

After the launching, there are “Queen of Gong” beauty pageant and cultural performance line up for your enjoyment.

Posts related to Gong

Music of Gong Rock

A few children discovered strange rocks on riverbank when they were swimming at a river in Tambunan. When being hit, the rocks produce gong-like sound.

» Read Full Story…

The Cursed Gong Rock

This mysterious rock laying deep in the forest and looks like a gong. Legend says it is from a cursed longhouse. It’ll bring flood when disturbed.

» Read Full Story…

Reference

“If you can’t sing, you can beat a gong”, by John H. Alman, Sabah Society Journal September 1961

Photos taken in Sabah, Malaysia Borneo

Sabah Longhouse and the Rungus

Sabah may not have a lot of tall building, but we have many long building (longhouse). Though other Sabah native tribes such as Murut and Dusun Lotud also build longhouse, larger number of Rungus people, a sub-ethnic of Kadazandusun (largest indigenous group of Sabah) with a population of 80,000*, still practise the traditional lifestyle of living in a longhouse today. In 1930s, there was a Rungus longhouse stretched as long as 5 Kilometers!**


Pic: a traditional Rungus longhouse

A Rungus longhouse (known as Vinataang in local language) is made up of 7 to 15 or more family apartments co-joined laterally. Most residents in a longhouse are relatives among themselves. If new family is added, the owner would extend the longhouse at one end. A Rungus village consists of 1 or more longhouses (usually 5 or 6). Longhouse is common in northern part of Sabah, from Matunggong, Kudat, Kota Marudu to Pitas.


Traditional longhouse is built from wood, bamboo and atap (palm leaves). To avoid flood and wildlife such as snake, the house is lift off the ground by stilts made of hard wood such as bogil, belian ironwood, mangrove wood and manzalangan**. In old day, they also raised pigs under the longhouse. The roof is dry palm leaves of sago or nipah, and needs to be replaced every 3 to 5 years.


Pic: entry ladder to longhouse

There are many taboos about longhouse. For example, the site of a new longhouse is chosen based on signs such as dream, animals, weather and human behaviour. If a python (which symbolise death in local belief) appears at the construction site, they would not build the longhouse there. In contrast, tortoise is an auspicious sign. Guest who enters apartment under construction, or leaving the house without informing the host will bring bad luck. The wood of toodopon and puvok trees can’t be used in making house, as they will bring illness, disaster or bad luck. Nevertheless, after many Rungus converted to Christian, they may not strictly uphold these belief now.


Pic: the long and wide corridor of longhouse. Rungus longhouse is divided into two distinct areas, the apad or common gallery (left), and Ongkob or compartment area (right). Apad is an open area for work and leisure activities such as rice pounding and celebration.


The raised platform (tingkang) of apad is a general working area and sleeping area for older boys.


Pic: flooring made of split bamboo or nibung.


Pic: The wall is created from the bark of manzalangan or tarap tree (Artocarpus odoratissimus). There are some holes on the wall if you want to peek what your neighbour is busy on lol.


Pic: I was staying in Maranjak Longhouse for a night and this is my bedroom in longhouse. They have electric bulb to light up the room and corridor. The mosquito net can keep hungry mosquito at bay. There were far fewer mosquitoes than I thought because the longhouse is near to the forest. The wall is so thin that I can hear clearly what the girls in next room talking. During bedtime, I can almost hear the girl breathing, as if she was sleeping on my bed. Luckily she didn’t snore (but I did, HAHAHA). The longhouse is a bit warm in daytime, but at night it is quite cooling. In my dream, I heard two geckos fighting near my bed.


During my stay in Maranjak Longhouse, I took a closer look at the Rungus longhouse.


Then I saw a tower at other end of the longhouse. At first I think it’s for the guard. Then they tell me that that tower is called Rorizan, the place to keep the most beautiful girl in the longhouse.


In case you fall in love with the girl in Rorizan… FYI, to marry a Rungus lady, big muscle is not enough. You also need brain and patience.


Because, you will be tested by Inuog Dazang (Teka Teki Puteri) puzzle, to free the rope from interlocked rattan knots, without cutting it. If you succeed, you can marry the girl without paying any bride price. You can try until you cry but not getting it. Don’t worry, I already have the formula for you. You can buy me some beers if you win a Rungus bride.


Pic: you may have seen the photo of Rungus people dancing Mongigol Sumandai (a welcoming dance mimic the movement of dragon and the male being the head of dragon) and think that Rungus man can have many wives. Rungus marriage is monogamy. Sex before marriage is strictly prohibited, as Rungus people believe this will bring sickness and death to their village. Besides, girls are kept separate from boys except at work. I’m talking about the old time.

Modern Longhouses

Nowadays each Rungus family prefers to have their own house. Also, it’s rare to see thatched-roof Rungus longhouse as corrugated zinc is preferred roofing material. If you see an authentic longhouse, very likely it is built for the tourists. 😀



Pic: photos of “modernised” longhouse, which is more durable and offers bigger space. More livable but lack of cultural identity.


Pic: longhouse with solar panels (certified low-energy green building). This longhouse in KDCA Penampang costs about half a million Ringgit (≈US$157,000) to construct!

The Rungus

Longhouse is not the only cool thing about Rungus. Rungus is renowned weaver. They produce finely woven textiles, handicraft and beadwork which incorporate intricate traditional motif.


The motif design of Rungus is inspired by animals, plant and other things in their environment. Each piece takes 1 to 7 days to make, depend on its complexity. Some motif carries meaning such as good health.


The handmade beadwork of Rungus is so beautiful and colorful that it is one of the most popular souvenirs tourists bring home. It’s also nice as an exotic accessory for lady dress. With prices start from only a few dollars, it’s quite affordable.


If you go to Kudat, I highly recommend you to buy some handicraft from the locals. In fact, most Rungus handicraft for sale in city shops are from them, but being priced higher by distributors.


Pic: Rungus woman is also skillful in producing homespun cloth made from cotton (kapok)


The traditional costume of Rungus is truly unique. I haven’t seen other Borneo tribes that share the similar traits. The photo above is the “most traditional” custome of Rungus women, who wear Ganggalung, disc of brass coil necklace of 40cm in diameter, and Lungkaki, the tightly coiled ornament covering the lower leg. Ganggalung and Lungkaki are seldom worn today. They told me that the brass outfit is heavy and make them lazy to move.


Pic: A Rungus man wearing colorful sash and a sigal, the traditional embroidered headgear. He looks serious but he is very friendly.

Staying in Longhouse

If you would like to experience staying in longhouse, you may visit Kampung Bavanggazo or Maranjak Longhouse Lodge in Matunggong, about 150 KM north of Kota Kinabalu city and 40 KM south of Kudat town (see Location Map). Both longhouses are only a few KM away from each other and their owners are brothers.

Their longhouse can host about 30 to 40 guests at a time. The accommodation fee is about RM60 – RM80 per night (≈US$19 – 25) and Online Booking is available. You also can sign up for some activities such as fishing, crab catching, hiking and tour around in Kudat.


Lastly, mind your head when you visit a longhouse. Incoming! LOL

*Census 2000
**source: Sabah Traditional Ethnic Houses, published by Department of Museums Malaysia (ISBN: 978-967-9935-81-3)

Photos taken in Sabah, Malaysia Borneo