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Sumazau dance of Kadazan Penampang

Sumazau Dance, the Cultural Symbol of Sabah

Sumazau is the iconic dance of Sabah. It’s a traditional dance originated from the Kadazan and Dusun (or Kadazandusun) people, the largest indigenous group of Sabah. The dancers imitate the eagle in flight by stretching their arms to both sides and swing them up and down like bird wings. Usually Sumazau is danced in group of male and female partner as pairs, who move with rhythm of beating of gong and drum. Normally Sumazau is performed in cultural events and celebrations.

Sumazau dance on the stage during a cultural show. Crowd would be invited to join after the first dance.

Sumazau is a generic term for “dance” in Kadazan. It can be called Sumayau, Mongigol and Maragang in other Kadazandusun tribes and it comes with several styles (more on this later). The most classic version is by Kadazan Penampang, one of the sub-ethnic of Kadazandusun living in west coast of Sabah. When Malaysians talk about Sabah, an image of Kadazan Penampang couples dancing Sumazau would appear in their mind.

The “standard Sumazau” by Kadazan Penampang. Sumazau can be called Sumayau, Mongigol and Maragang in other Kadazandusun tribes with variations in music, costumes and movements.

Why Sabahans dance Sumazau?

Sumazau is mainly performed during wedding, festivals, celebrations, social or tourism events, and welcoming of dignitaries. It’s also a must-try dance for tourists who want to experience the colourful cultures of Sabah. Overall, Sumazau is a happy dance so you won’t see people dance Sumazau with sad faces.

Which girl you would like to dance Sumazau with? Leave your choice in comment section.

As a matter of fact, Sumazau is also a sacred dance links to rituals and religious ceremonies. The traditional belief of Kadazan divides the living place into supernatural world and physical world. Both worlds have rules in order to maintain a peaceful balance. If any wrongdoing causes the imbalance, troubles such as illness, infertility of livestock and unproductive farmlands would hit human. If this happens, Bobohizan (high priestess of Kadazan) would be called to restore the balance between the worlds by performing rituals with long poetic chants and Sumazau that bridges the worlds.

Sumazau can be performed to heal sickness by dancing around a group of people sitting under blankets who suffer from bad dreams and illnesses.

The following are some ceremonial functions of Sumazau dance:

  • To restore the well-being of “Bambaazon” (rice spirit), to ensure a bountiful harvest
  • Summon the spirits in the spiritual world to cure illness
  • Celebrate a triumphant return from head-hunting
  • To appease the house spirit guardian (miontong) so things get back to normal
Sumazau is a living Kadazandusun heritage and the state of Sabah’s dance.

Traditional Attire of Sumazau

Though Sabahans can dance Sumazau in T-shirt and slippers, an appropriate and authentic attire is important for an elegant presentation of Sumazau. In formal setting, dancers dress in their traditional Kadazandusun costumes. For Kadazan Penampang, it’s the black dress with gold trimmings. Male wears Siga, a headgear folded by handwoven cloth in a distinctive way. Female wears silver belts (Himpogot) and brass belts (Tangkong) over their waist and hip. And they dance with barefoot. Everything looks like the old days (except girl’s armpit is shaved).

Traditional outfit and accessories of Sumazau dancers in formal or cultural occasions.

As the accessories for Sumazau, female wears Selendang (Husob), the folded plain, batik or sarong cloth made into one or two sashes cross over both shoulders. Husob can be any colour, red and yellow are the popular choices. All female dancers wear the same colour of selendang in a dance, but bride can be different, just to be special.

Sumazau is also danced in wedding. In the circle are the bride and groom. This is a mock wedding in a tourism event.

Men dancers have a bunch of dried and curly fan, licuala palm or sago (Hisad or Silad) leaves hanging by their side like pom-pom. It’s called Sandangon (or Sansandangon), which is believed to possess talismanic powers to ward off evil spirit and spells.

Sumazau is often performed during ritual and social occasions, with the males partnering the females.

Dance Moves and Music of Sumazau

Sumazau consists of two basic dance moves. In the first move, usually starts in the beginning, the dancer steps from side to side, shifting weight from one foot to another, while gently swinging the arms at the sides to the beats of the gongs. In the second moves, the dancer lifts the heels slightly, with both arms raised slowly and stretched out slightly lower than shoulders, with hands swinging gracefully up and down to simulate flapping wings. While moving, dancers bounce and heave their bodies gently by bending the knee and pumping the heels like a spring in a simple one-two (up-down) rhythmic movement. Just watch the video below and you will get the idea.

During the dance, Sumazau dancers do different formations such as circle, double rows, split and regroup and changing partners. They always dance in pairs and there is no limit on group size, in fact the more the merrier. Throughout the dance, you would hear spontaneous outbursts of the pangkis (loud cry) from time to time. It’s a show of energy, and also serves as a signal to change formation. The rhythm of Sumazau movement is from the music and beats from sompogogungan, the musical ensemble comprised of six hanging gongs and a gandang / gendang drum.

The music band for Sumazau is call Sompogogungan, which uses six hanging gongs and a drum in standard setting. In this photo is Tambunan musical ensemble, which uses eight gongs. Its music is called tinondot and have faster tempo.

Sumazau and Sabah Songs

Sumazau is deeply rooted in Sabah culture, Sumazau to Sabahans is like Samba to Brazilians. You can bet that many famous Sabah songs are of “Sumazau genre”. Just listen to some of them, for example, Anak Kampung, Sayang Kinabalu, Sumandak Sabah, Original Sabahan, Jambatan Tamparuli, and Sumandak Kinabalu, Sabahans will feel the distinctive beats and rhythm that make them want to dance Sumazau.

Most Sabah songs are “Sumazau ready” so you can dance Sumazau while singing, like this chorus.

When you are invited…

Everyone from young to old can dance Sumazau, tourists and outsiders are invited to follow too sometimes. For gentleman, if a girl hangs a Sandangon over your shoulder to invite you to Sumazau, it’s a great honour and please don’t refuse (you don’t need to marry her if you accept the invitation, just for your info). In formal occasions, only VIPs and guests with Sandangon can do the opening dance. The rest will join after the first dance, beginning with the elderly men and women and then the young people.

When a Sandangon is passed to you, you must dance Sumazau once the gong beating starts. Only VIP and dignitaries deserve such honour.

Don’t worry if you don’t know Sumazau. Just have fun and swing your arms up and down like a flying bird. Nobody will judge you. Having a couple of Tapai or Lihing wine would improve your moves.

Tourists have fun bobbing around with T-pose

Cultural Heritage of Malaysia

Sumazau dance is officially listed as Intangible Cultural Heritage of Malaysia in 2007, under the federal and state laws (National Heritage Act, 2005, and the Sabah Cultural Heritage (Conservation) Enactment, 1997).

Sumazau can be a folk dance or sacred dance, depend on the purposes of the performance.

Sumazau Dance Competition

To preserve and promote Sumazau as a cultural heritage, Kadazandusun Cultural Association Sabah (KDCA) and Sabah Cultural Board organise Sumazau Dance Competition periodically.

Sumazau is said to mimic the outstretched wings of silong birds in flight.

Below are some videos and information about the competition:

Different Sumazau Styles

Sumazau is a universal dance among Sabahans, but it comes with different styles. For example, my favourite variation is Tambunan Sumazau (Maragang) by Dusun Liwan. It’s more fast-paced, the gong beating is more uplifting (7 or 8 gong are used, other than 6), and female dancers have more feminine movement and outfit.

Dusun Liwan from Tambunan is also a champion of Sumazau dance, with unique gong music and girls have more elegant movement. They call the dance Maragang.

Depends on the performance types, some Sumazau would include some creative elements such as prop (e.g. basket, farming tools) and drama for story-telling. The following is a playlist of 16 different Sumazau styles (it also contains some playful ones) for your enjoyment. (you can click Forward button to skip to next video):

Different styles of Sumazau from different districts and Kadazandusun sub-ethnic in Sabah. Sumazau is a generic term for Kadazandusun dances (with flying movement).

Sabah, without Sumazau, is not Sabah. If you want to see or try Sumazau, the best time to watch is in May, the harvest festival (Kaamatan) month of Sabah, especially the Kaamatan Grand Finale at KDCA Penampang (Hongkod Koisaan) on 30 and 31 May every year.

Let’s Sumazau and dance as if nobody is watching!

References

A perfect guy in Sabah must dance Sumazau well.

Photos taken in Sabah, Malaysia Borneo

Tun Sakaran Museum

Most tourists who go for an island vacation in Semporna only see 50% of its beauty. To unlock the fascinating heritage and history of Semporna, you may drop by Tun Sakaran Museum (or Muzim Tun Sakaran), a small museum located in Kampung Inabah Kamal (GPS: 4.475566, 118.603385, See Location Map), only 1.5 Kilometre from town centre of Semporna.

Entrance to Tun Sakaran Museum (Muzium Tun Sakaran)

Built under the funding of RM2.8 million by Ninth Malaysia Plan, Tun Sakaran Museum is officially open in year 2015. It is open to public from 9am to 5pm every day (temporarily closed now due to COVID-19). The admission is FREE.

Timeline of political life of Tun Sakaran and Lepa-Lepa boat (left)

Tun Sakaran Museum is a two-storey building. The ground floor is Tun Sakaran gallery, where visitors can learn about the life of Tun Sakaran, the 8th Yang di-Pertua Negeri of Sabah (Sabah Governor or Head of State). The top floor has some exhibitions on culture and historical artifacts of the Semporna and Bajau community.

Tun Sakaran gallery in ground floor

The interior is air-conditioned. You need to take off your shoes before entering. Visitors are allowed to take pictures inside the museum.

Tun Sakaran Gallery

Tun Sakaran Museum is named after Tun Sakaran, who is the Head of State from 1995 to 2002. He donated the one-acre land for this museum. He was the Sabah Chief Minister in 1994, and his nephew, Datuk Seri Mohd Shafie Apdal, is the Chief Minister now. Tun Sakaran Marine Park (a.k.a. Semporna Islands Park), the second largest marine park of Sabah, is also named after him.

Photographs and information about the life of Tun Sakaran

Head of State carries the title TYT (Tuan Yang Terutama, means His Excellency). As Sabah has no Sultan / King, Head of State is the ruler. However, he has no executive power in politic system. Sometimes people in Kota Kinabalu would see his black car escorted by group of police motorbikes in siren to make way.

Utensils with gold embroidery and Sabah crest

The ground floor of Tun Sakaran Museum is dedicated mostly to contribution of Tun Sakaran to Sabah State. You can see his personal, political, and family life presented in wall panels and photographs. For me, the best contribution of a Sabah Governor is getting holiday on his birthday. :-p

Fine pieces of souvenirs given to Tun Sakaran

Head of State lives in State Palace on Signal Hill. For people who are curious if there is any gold or treasure inside, the palace has Hari Raya Open House every year. In this gallery, you can check out some goodies that Tun Sakaran received or used over the years.

Playing Game of Thrones 😀

Most of the collection are souvenirs given as memento to Tun Sakaran by other VIPs in the past. Some are really fine piece of artwork or collectible items with historical value, for example, palace utensils with golden embroidery of old Sabah crest, gold plated lepa-lepa boat model.

Semporna and Bajau Gallery

The top floor of Tun Sakaran Museum is mostly about the Semporna community. Before this, there is no exclusive exhibition to display the rich history of Semporna and ethnography of Bajau, the nomadic seaborne people.

Gallery on first floor that showcase the lifestyle of Sea Bajau in Semporna
Traditional Lepa-Lepa boat of Sea Bajau in Semporna

There are some exhibits on artefacts and the heritage unique to Bajau. The highlight is a live scale Lepa-Lepa, traditional boat of Sea Bajau near the door. In old days, Sea Bajau spends most of their time on lepa-lepa, includes cooking, fishing, giving birth a baby, and sail around South-East Asia.

Exhibition on culture and historical artifacts of the Semporna community in top floor

A few partitions were setup to showcase the old and present weapons, carving tools, fishing gears, machete (Guluk), ceramic pottery, musical instrument, handicraft, bronze household items, etc. nicely in display cases, glass box, exhibition boards, and cabinets. There is also a section to study the development of Islam in Semporna.

Weapons used by Bajau and pirates in old days of Semporna
Exhibition of Bajau culture such as musical instrument

Overall, it’s not a personal museum to show off the contribution of a VVIP politician. Most Bajau in Semporna is still living in poverty and not getting much benefits from blooming tourism of Semporna. As a successful Bajau who was born in Semporna, Tun Sakaran can be a role model and inspiration to motivate this community.

A biography walkway of Tun Sakaran

The museum also has cafeteria (not open) and small multipurpose room for the public to use. The information in Tun Sakaran Museum is in Malay language, most have English translation. It’ll be a better experience with deeper feeling if they can use some interactive media such as documentary video and Bajau music. A photo booth with colourful Bajau costumes would be a great addition for tourists to check-in to their social media.

Artifact of Bajau
Traditional cutting and carving tools of Bajau people

If you are really into history and culture of Semporna, you can visit the archaeological museum in Bukit Tengkorak or visit the annual Lepa-Lepa Festival.

Photos taken in Semporna, Sabah, Malaysia Borneo