Tag Archives: dance

Murut ladies doing Magunatip dance

Magunatip, the Bamboo Dance of Murut Warriors

Magunatip, which is also known as “Bamboo Dance”, is one of the most popular traditional dances of Sabah. This energetic dance is performed by Murut people, who mainly reside in the interior districts of Sabah, and they are the headhunters of Borneo in the past. During the dance, the dancers put their feet in and out between clapping bamboo poles without being trapped.

Ending pose of Magunatip bamboo dance

A Dance of Bravery

The name “Magunatip” is derived from the word apit, which means “to press between two surfaces.” This dance is hundreds of years old and always the highlight of many cultural shows in Sabah.

The origin of Magunatip is closely related to a folk game that was once played during paddy pounding sessions

Under the loud music by gong, tagunggak (bamboo idiophones) and a tambor (drum), Magunatip starts with graceful dance by group of dancers in beautiful traditional costumes. The most eye-catching part are the Murut warriors who wear bark vest, loincloth and showy feather headgears. They would wield their weapon and act in an intimidating manner to give off wild men vibes like the scary headhunters.

Three pairs of long bamboo poles will be laid horizontally on the ground, each pair held by two bamboo strikers at opposite ends to form three rows of clapping bamboo poles. The bamboo poles are slightly separated and lifted, and slam downward to the base with thumps, then beat against each other to close the gap. These actions will create a loud rhythmical tun-tun-pak! smacking sounds (almost similar to the hypnotizing pounding sounds in the song We Will Rock You).

Magunatip performance on USA aircraft carrier (USS John C. Stennis) when it docked in Kota Kinabalu in 2012

Then the dancers line up at one side of the poles to cross lines of clapping bamboo poles, by jumping between the smacking poles without getting their feet or ankles clipped. To tease the audiences, the dancers also playfully dip their feet into the gaps and get out in precise timing. The males would make triumphant cries (pangkis) while in action. Despite the challenges, every moves are done orderly and elegantly, with a big smile and relaxing upper body.

1 / 12

The dance starts with slow and steady rhythmic claps at first. Toward the end, like a fast forward button being pressed, the music tempo will speed up, the bamboo striking gets intense and enters turbo mode. The audiences hold their breathe and their eyes are totally drawn to the dancers who skillfully skip in and out at frenzy agility and speed. The splendid dresses, strong music, and remarkable stunt just blow everyone away and never fail to give me goosebumps.

Would you accept the dance invitation from a warrior?

After the performance, the dancers would invite the crowd to try the bamboo dance, at a slower pace of course. First-timers would move like a hopping chicken, and have their feet being caught in the bamboo and the performance ends perfectly in laughter.

What I mention is the standard setting of Magunatip. There are nearly 20 sub-ethnic groups of Murut living in Tenom, Keningau and Nabawan, so you could expect they have different styles and choreography. Sometimes the bamboo poles are in a cross layout (like #). A full set of traditional orchestra for Magunatip involves six large gongs, 25 tagunggak and a tambor. To create more dramatic impact in big performance, a group of warriors would do war dance in the opening.

Origin of Magunatip: It’s a Prank

According to the oral history passed down to the elders of Murut, Magunatip was started as a prank. After the pounding the paddy, the Murut farmers would place the poles on the floor and rest. Then somebody used the poles to clip the foot of whoever passed by. To avoid being trapped, the victims would quickly lift up his or her foot. This mischievous act turned out to be a fun game for participants to step in and out of the clapping poles in rhythm. Then this activity evolved into Magunatip and accompanied by music.

War dance by Murut warriors. Murut people are headhunters in the past. Enemy’s head was their trophy.

Nowadays, Magunatip is mainly performed during celebrations and social occasions such as bride wealth exchange ceremonies (tinauh), weddings, and harvest festivals. However, Magunatip was performed in rituals (e.g. healing, appeasing spirits) to ward off evil spirits in the olden days. The dance was also performed during the Mansayau ritual that celebrates the return of headhunters from raids and battles. Though it’s also a type of entertainment that time, it was a taboo to perform Magunatip on ordinary days.

Anggalang dancers of Tenom with beautiful Murut costumes.

Besides human and animals, Murut believes that spirits also dwell in other things in this world, for example, mountains, caves, jungles and underground. Every misfortune, disaster and illness are associated with evil spirits. Murut people think the loud sounds from the rhythmic beating of the alu (wooden pole made from belian (ironwood), used to pound paddy) in Magunatip can chase them away. Therefore, the rituals were carried in conjunction with Magunatip to assist the ritual specialists to ward off bad spirits.

Other Sabah indigenous ethnic tribes such as Kadazandusun of Tambunan and Dusun Kwijau of Keningau also perform Magunatip. And NO, Magunatip is not originated from Tinikling dance of the Philippines.

Anggalang Magunatip

Actually Anggalang and Magunatip are two different dances that combined into one performance. Anggalang Magunatip begins with Anggalang dance by a group of ladies adorned in elaborately beaded and embroidered Murut costumes known as limpur.

An elegant move of Anggalang dance

In some cases, these women flank or back one or more Murut warriors, who perform the mahihialang (move around the stage and wield a blowpipe or a machete known as gayang). The graceful and feminine Anggalang dance contrasts but complements well with the masculine and rugged warriors, forming an enchanting presentation.

Murut girls in Anggalang dance

In 2016, a lion dance group named Persatuan Muda Mudi Penampang did a Sumazau and Magunatip performance with lion dance. The video of this creative lion dance went viral and reported in national news.

Due to modernisation and influences from other religions, Magunatip is no longer related to any ritualistic practices. Magunatip becomes a tourism or cultural show more than a community function. Nevertheless, I hope the originality of this traditional dance can be preserved as a cultural heritage. It’s encouraging to see many Sabahans take pride in this fascinating dance and even promote it in international media.

Magunatip is a popular cultural show to entertain the tourists.

To learn more about the history of Magunatip, you can read the article “The Healing Ritual Context of the Magunatip. Dance of the Murut in Sabah, Malaysia” written by Universiti Malaysia Sabah.

When a Murut girl invites you to dance…

Photos taken in Sabah, Malaysia Borneo

Sumazau Dance, the Cultural Symbol of Sabah

Sumazau is the iconic dance of Sabah. It’s a traditional dance originated from the Kadazan and Dusun (or Kadazandusun) people, the largest indigenous group of Sabah. The dancers imitate the eagle in flight by stretching their arms to both sides and swing them up and down like bird wings. Usually Sumazau is danced in group of male and female partner as pairs, who move with rhythm of beating of gong and drum. Normally Sumazau is performed in cultural events and celebrations.

Sumazau dance on the stage during a cultural show. Crowd would be invited to join after the first dance.

Sumazau is a generic term for “dance” in Kadazan. It can be called Sumayau, Mongigol and Maragang in other Kadazandusun tribes and it comes with several styles (more on this later). The most classic version is by Kadazan Penampang, one of the sub-ethnic of Kadazandusun living in west coast of Sabah. When Malaysians talk about Sabah, an image of Kadazan Penampang couples dancing Sumazau would appear in their mind.

The “standard Sumazau” by Kadazan Penampang. Sumazau can be called Sumayau, Mongigol and Maragang in other Kadazandusun tribes with variations in music, costumes and movements.

Why Sabahans dance Sumazau?

Sumazau is mainly performed during wedding, festivals, celebrations, social or tourism events, and welcoming of dignitaries. It’s also a must-try dance for tourists who want to experience the colourful cultures of Sabah. Overall, Sumazau is a happy dance so you won’t see people dance Sumazau with sad faces.

Which girl you would like to dance Sumazau with? Leave your choice in comment section.

As a matter of fact, Sumazau is also a sacred dance links to rituals and religious ceremonies. The traditional belief of Kadazan divides the living place into supernatural world and physical world. Both worlds have rules in order to maintain a peaceful balance. If any wrongdoing causes the imbalance, troubles such as illness, infertility of livestock and unproductive farmlands would hit human. If this happens, Bobohizan (high priestess of Kadazan) would be called to restore the balance between the worlds by performing rituals with long poetic chants and Sumazau that bridges the worlds.

Sumazau can be performed to heal sickness by dancing around a group of people sitting under blankets who suffer from bad dreams and illnesses.

The following are some ceremonial functions of Sumazau dance:

  • To restore the well-being of “Bambaazon” (rice spirit), to ensure a bountiful harvest
  • Summon the spirits in the spiritual world to cure illness
  • Celebrate a triumphant return from head-hunting
  • To appease the house spirit guardian (miontong) so things get back to normal
Sumazau is a living Kadazandusun heritage and the state of Sabah’s dance.

Traditional Attire of Sumazau

Though Sabahans can dance Sumazau in T-shirt and slippers, an appropriate and authentic attire is important for an elegant presentation of Sumazau. In formal setting, dancers dress in their traditional Kadazandusun costumes. For Kadazan Penampang, it’s the black dress with gold trimmings. Male wears Siga, a headgear folded by handwoven cloth in a distinctive way. Female wears silver belts (Himpogot) and brass belts (Tangkong) over their waist and hip. And they dance with barefoot. Everything looks like the old days (except girl’s armpit is shaved).

Traditional outfit and accessories of Sumazau dancers in formal or cultural occasions.

As the accessories for Sumazau, female wears Selendang (Husob), the folded plain, batik or sarong cloth made into one or two sashes cross over both shoulders. Husob can be any colour, red and yellow are the popular choices. All female dancers wear the same colour of selendang in a dance, but bride can be different, just to be special.

Sumazau is also danced in wedding. In the circle are the bride and groom. This is a mock wedding in a tourism event.

Men dancers have a bunch of dried and curly fan, licuala palm or sago (Hisad or Silad) leaves hanging by their side like pom-pom. It’s called Sandangon (or Sansandangon), which is believed to possess talismanic powers to ward off evil spirit and spells.

Sumazau is often performed during ritual and social occasions, with the males partnering the females.

Dance Moves and Music of Sumazau

Sumazau consists of two basic dance moves. In the first move, usually starts in the beginning, the dancer steps from side to side, shifting weight from one foot to another, while gently swinging the arms at the sides to the beats of the gongs. In the second moves, the dancer lifts the heels slightly, with both arms raised slowly and stretched out slightly lower than shoulders, with hands swinging gracefully up and down to simulate flapping wings. While moving, dancers bounce and heave their bodies gently by bending the knee and pumping the heels like a spring in a simple one-two (up-down) rhythmic movement. Just watch the video below and you will get the idea.

During the dance, Sumazau dancers do different formations such as circle, double rows, split and regroup and changing partners. They always dance in pairs and there is no limit on group size, in fact the more the merrier. Throughout the dance, you would hear spontaneous outbursts of the pangkis (loud cry) from time to time. It’s a show of energy, and also serves as a signal to change formation. The rhythm of Sumazau movement is from the music and beats from sompogogungan, the musical ensemble comprised of six hanging gongs and a gandang / gendang drum.

The music band for Sumazau is call Sompogogungan, which uses six hanging gongs and a drum in standard setting. In this photo is Tambunan musical ensemble, which uses eight gongs. Its music is called tinondot and have faster tempo.

Sumazau and Sabah Songs

Sumazau is deeply rooted in Sabah culture, Sumazau to Sabahans is like Samba to Brazilians. You can bet that many famous Sabah songs are of “Sumazau genre”. Just listen to some of them, for example, Anak Kampung, Sayang Kinabalu, Sumandak Sabah, Original Sabahan, Jambatan Tamparuli, and Sumandak Kinabalu, Sabahans will feel the distinctive beats and rhythm that make them want to dance Sumazau.

Most Sabah songs are “Sumazau ready” so you can dance Sumazau while singing, like this chorus.

When you are invited…

Everyone from young to old can dance Sumazau, tourists and outsiders are invited to follow too sometimes. For gentleman, if a girl hangs a Sandangon over your shoulder to invite you to Sumazau, it’s a great honour and please don’t refuse (you don’t need to marry her if you accept the invitation, just for your info). In formal occasions, only VIPs and guests with Sandangon can do the opening dance. The rest will join after the first dance, beginning with the elderly men and women and then the young people.

When a Sandangon is passed to you, you must dance Sumazau once the gong beating starts. Only VIP and dignitaries deserve such honour.

Don’t worry if you don’t know Sumazau. Just have fun and swing your arms up and down like a flying bird. Nobody will judge you. Having a couple of Tapai or Lihing wine would improve your moves.

Tourists have fun bobbing around with T-pose

Cultural Heritage of Malaysia

Sumazau dance is officially listed as Intangible Cultural Heritage of Malaysia in 2007, under the federal and state laws (National Heritage Act, 2005, and the Sabah Cultural Heritage (Conservation) Enactment, 1997).

Sumazau can be a folk dance or sacred dance, depend on the purposes of the performance.

Sumazau Dance Competition

To preserve and promote Sumazau as a cultural heritage, Kadazandusun Cultural Association Sabah (KDCA) and Sabah Cultural Board organise Sumazau Dance Competition periodically.

Sumazau is said to mimic the outstretched wings of silong birds in flight.

Below are some videos and information about the competition:

Different Sumazau Styles

Sumazau is a universal dance among Sabahans, but it comes with different styles. For example, my favourite variation is Tambunan Sumazau (Maragang) by Dusun Liwan. It’s more fast-paced, the gong beating is more uplifting (7 or 8 gong are used, other than 6), and female dancers have more feminine movement and outfit.

Dusun Liwan from Tambunan is also a champion of Sumazau dance, with unique gong music and girls have more elegant movement. They call the dance Maragang.

Depends on the performance types, some Sumazau would include some creative elements such as prop (e.g. basket, farming tools) and drama for story-telling. The following is a playlist of 16 different Sumazau styles (it also contains some playful ones) for your enjoyment. (you can click Forward button to skip to next video):

Different styles of Sumazau from different districts and Kadazandusun sub-ethnic in Sabah. Sumazau is a generic term for Kadazandusun dances (with flying movement).

Sabah, without Sumazau, is not Sabah. If you want to see or try Sumazau, the best time to watch is in May, the harvest festival (Kaamatan) month of Sabah, especially the Kaamatan Grand Finale at KDCA Penampang (Hongkod Koisaan) on 30 and 31 May every year.

Let’s Sumazau and dance as if nobody is watching!

References

A perfect guy in Sabah must dance Sumazau well.

Photos taken in Sabah, Malaysia Borneo